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Welcome to the Mercurial Muser

She delays endings as if she were Penelope, purposely weaving and unweaving words at her loom. Conjuring ancient languages long since put to rest—for no real purpose now but to know that they were once spoken, once alive, once voiced by someone who mattered. That they weren’t just convenient elegies to bury the dead—hung like stars around overgrown burial plots, or worn like shrouds to conceal the decay. That she hadn’t imagined it—this once-burning thing. That her time on that treasure-filled shore wasn’t a hand-sewn fever dream—its memory rushing past as if it were sand in an hourglass that suddenly slipped through trembling hands.

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Now she wakes in a bed far from Ithaca [...] far from the snow globe world she only ever briefly holds in her palms—just to shake every so often when the moment calls. Fingertips tapping on the glass of another life—to gaze upon the delicate, shining figures, to catch the shimmering glitter sparkle amid the idyllic, frozen scene. She resists the urge to let her unhealed parts smash it to the floor just to set them free.

 

For a time it was magic. It was magical for a time.

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January 10th, year unknown.


Soon there will be no more digital elegies for me to leave on the day the stars welcomed you.

Every so often, the stillness calls to be gently broken—by a quiet offering laid at the makeshift altar for those who once believed in myths and runes. A gentle knock graciously answered, with a few kind words uttered guardedly through the peephole in the door. Locked and latched as it ever would’ve stayed. We all have our limits, but yours are more than most. All this to say that I’m sorry it took me so long to see it your way.


The way you bury those tender things so meticulously—like ancient love sealed off in amber—not meant to be possessed (goddamn, now—don’t I know it), but rather hidden in the quiet caverns of the heart. And yet, she still seeks to break the spell cast over the memory—impossible, unspeakable, ungraspable. Like a mirror held up to the light, hoping to catch a shadow. Instead, she sees herself—her broken parts, the refractions of shattered glass—but in that, a self-denied strength, too: her emotional courage, her frantic fervour and fragile face masking the hot-blooded cunningness of a fallen Queen gone astray. She plays the part, but she knows what she’s doing. She always has.


She delays endings as if she were Penelope, purposely weaving and unweaving words at her loom. Conjuring ancient languages long since put to rest—for no real purpose now but to know that they were once spoken, once alive, once voiced by someone who mattered. That they weren’t just convenient elegies to bury the dead—hung like stars around overgrown burial plots, or worn like shrouds to conceal the decay. That she hadn’t imagined it—this once-burning thing. That her time on that treasure-filled shore wasn’t a hand-sewn fever dream—its memory rushing past as if it were sand in an hourglass that suddenly slipped through trembling hands.


Now she wakes in a bed far from Ithaca, far from a stone-faced, soft-centered Odysseus rightfully in retreat. Far from the snow globe world she only ever briefly holds in her palms—just to shake every so often when the moment calls. Fingertips tapping on the glass of another life—to gaze upon the delicate, shining figures, to catch the shimmering glitter sparkle amid the idyllic, frozen scene. She resists the urge to let her unhealed parts smash it to the floor just to set them free.


For a time it was magic. It was magical for a time. Maybe that was enough.


So what do you do with the phantom flickers of yesteryear? Perhaps make use of the old psychic timeshare, and take pictures with your eyes while you’re there. For every now and then, their thoughts still touched like ghosts grazing past. And there in the haunted space between them, she fixes her crown as the other adjusts his horn-rimmed glasses, so as to receive a knowing nod across the silver-threaded tapestry of some latent consciousness. Strange odysseys are almost always held dearer upon looking back with lighter heads and clearer eyes. Not as vacated visions, clouded perceptions or a monastic wisdom that observes the candle, yet pretends not to feel the flame.


And now, although the neatly packaged ending is left unwritten, the right words left unspoken, the meaning unwoven, she makes her way uncharted across the makeshift river chasm, where water flows freely under bridges and falls generously between outstretched hands. Noble gestures, witnessed as being exactly what they are, only now viewed from the beauty of an opposing shoreline.


For what it’s worth, I just thought you should know.

Selfish society will kill itself in its own race for supremacy. I will end up being a victim of this unjustly—and more than likely one of the first to die. -- Dave Mitchell, Letter from a chain-wrought chapel (Matsqui, BC, 2004).


And then he did. Just like a prophecy.


So there on the floor of ICU, while my brother's body gave way to descending breaths, something vital left me. An innocence, maybe. Something I couldn't unsee. For it was then that I was cracked wide open—fully attuned to the horrors of the world.


But maybe it didn't exactly start with that because ever since I was small I could spot social maladies that others couldn't—or didn't want to. I clocked every disparity and injustice. Every subtle sign of suffering. Every child that hadn't been fed and watered according to instructions. Every seed that didn't fall on fertile soil. Every us versus them and have and have not and I was told my heart was too pulpy because hey, you can't save every dying bird, anyway. I don't know why you try.


And how dare you stand up to any man because it's a boy's world baby and you might as well get used to it. But if you're pretty enough you might just make it.


And maybe it's because my dad woke up my mom by lighting firecrackers in her ears or maybe it's because I saw how quickly you become blind when you stare at the sun or maybe it's because I understand how easy it is to overlook the sorrow of others when you're distracted by your own.


But now I see that it's not just the way life is. I see that things could be different if we just had the courage to try. For we are the monsters—those who hoard, who build empires on the backs of the oppressed. Perhaps if I can tear the greed from my chest, thread by thread, and howl incantations of dissent into the forgotten corners just to hear them echo back, maybe the spell can be broken in others too.


Something tells me I have to try.

























Daffodils

To cozy inside days with my sweet baby dancing or reading a good book. Truth be told, I get easily overwhelmed out in the world these days. Mostly in stores and crowded spaces filled with people talking about things that don't matter, and that seems to be most of what life is. I don't know, it just makes me feel really lonely. Soul-crushingly so. Most of the time, I would rather be at home or in a forest somewhere.


To those who would use art to paint a canvas of horror if only to shine a light on it. You’ll change the world—or at least this corner of it—that I’m sure.


To the start of summer. Warmer days abound, and keep me less in my 'overthinking' zone. I’d rather be in the space of total embodiment.


To all the good people of the world who want to see the empire fall.


To those that understand nuance. I'm tired of conversations that don't include it. It's boring and reductive.


Dog Shit

To the brain fog that accompanies post-partum. It's wrecking me. I know the fog will lift eventually, but it's hard right now.


To US Imperialism and its victim daughter, Israel.


More of a minor gripe, but to construction zones on every street in my city. Just... can we not?




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